By Pat Rogers
Prime literary historian and eighteenth-century expert Pat Rogers has lengthy been famous as an expert on Alexander Pope. This publication addresses the numerous elements of the poet's global and paintings, providing a considerable new essay on "Pope and the antiquarians" along significantly revised types of essays released in journals, which jointly conceal so much of Pope's significant writing. Essays on Pope gathers for the 1st time the easiest paintings in this celebrated writer through one of many top-rated critics, and is an imperative source for students of eighteenth-century literature.
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Additional resources for Essays on Pope
The duty of language was to overcome the inarticulate energy of mere flux. in It is possible to distinguish broadly between two methods of organization in poetry: I will call these closed and open syntax. The extreme form of open syntax is found in such modes of verse as imagism, where prose logic has been abandoned and the only continuum is one of figurative association. But the method is found in a good deal of older poetry, and it does not necessarily imply a breakdown of all ' logical' sequence.
The repeated heavy stresses aid the process. 'Lord' is actually in a weak position, metrically, but like 'Pimps' it receives a fairly strong emphasis. We are drawn to feel that it is the lordship and ladyship of the couple (as well as their peculiar demerits) which align them with the rest of the tribe. For the use of the plural number, see p. 109 below. It is often forgotten that Prior's use of octosyllables in Alma by no means represents an invariable choice. Solomon antedates the greater part of Pope's major work, excluding the Rape and the Iliad.
He could only make sense of things if he could see them in some sort of vertical, generally hierarchical, scheme. , both terms of the comparison. An important rider follows from this. If a poetry of relational statements is one specially fitted for a particular historical context, it is also uniquely suitable for one literary form. Recently the phrase ' situational satire' has gained some currency. But it is a redundant expression. All satire is a placing activity; it rests on the writer's being sure how one thing stands in relation to the next.