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By Belringer, Berlinger, Fiel (auth.)

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Caught in an intimate moment of sudden confrontation visitors have been gazing at the workers back as they were focussed on their work. The space was open to the public for the 3 hour duration of a workshift only. 49 ROCKY 50 left, Die Wiege der Demokratie Teil 1 diagram 2006 mixed media installation, sound Bahnhofstraße 53, Bregenz opposite, Die Wiege der Demokratie Teil 1 video stills 51 52 right, Die Wiege der Demokratie Teil 1 the brave workforce 2006 mixed media installation, sound Bahnhofstraße 53, Bregenz above, Die Wiege der Demokratie Teil 1 installation view opposite, Die Wiege der Demokratie Teil 1 video stills 53 A VISITOR IN OUR STUDIO Untitled video still 2006 Stuwerstraße 32, Vienna 54 55 ANOTHER VISIT...

Raumtheorie. Grundlagentexte aus Philosophie und Kulturwissenschaften, Frankfurt am Main: Suhrkamp 2006, S. 317-327, hier: 321. 5 Arakawa, Madelin Gins: Architectural Body, Tuscaloosa, Alabama: The University of Alabama Press 2002, S. 1. , S. 1-2. , S. 2. , S. 44. , S. 14-15. 7 8 9 Paolo Bianchi, Sabine Folie: „Atlas Mapping. Künstler als Kartographen“, in: KUNSTFORUM International 137: Atlas der Künstlerreisen (Juni - August 1997), S. 62-63, hier: 62. , S. 44. 57 58 PROJECT TITLE RAMÄR ODER DIE SCHIZOPHRENIE DES ZWISCHENRAUMS (RAMÄR OR THE SCHIZOPHRENIA OF THE SPACE INBETWEEN) ACRONYM RAMÄR TEAM BERLINGER, FIEL LOCATION FLUC_WANNE, VIENNA OCCASION GROUP EXHIBITION REALISATION DECEMBER 2005 CLIENT - BUDGET - PARTNER - SUPPORT TEAM FLUC TECHNICAL SUPPORT - BEST BOY RAMÄR OBJECTIVE AMBIGUITY KEYWORDS MORPHING, SKIN, PASSAGE, MEMORY, SOFTNESS, WALL, WINDOW, CORNER INITIAL PUBLICATION TRANSFORMER 1, EXHIBITION CATALOGUE SYNOPSIS IN DESCRIBING A CONCRETE SITUATION, WE MAKE USE OF THE FUZZINESS OF INTERSTITIAL SPACES.

5 Arakawa, Madelin Gins: Architectural Body, Tuscaloosa, Alabama: The University of Alabama Press 2002, S. 1. , S. 1-2. , S. 2. , S. 44. , S. 14-15. 7 8 9 Paolo Bianchi, Sabine Folie: „Atlas Mapping. Künstler als Kartographen“, in: KUNSTFORUM International 137: Atlas der Künstlerreisen (Juni - August 1997), S. 62-63, hier: 62. , S. 44. 57 58 PROJECT TITLE RAMÄR ODER DIE SCHIZOPHRENIE DES ZWISCHENRAUMS (RAMÄR OR THE SCHIZOPHRENIA OF THE SPACE INBETWEEN) ACRONYM RAMÄR TEAM BERLINGER, FIEL LOCATION FLUC_WANNE, VIENNA OCCASION GROUP EXHIBITION REALISATION DECEMBER 2005 CLIENT - BUDGET - PARTNER - SUPPORT TEAM FLUC TECHNICAL SUPPORT - BEST BOY RAMÄR OBJECTIVE AMBIGUITY KEYWORDS MORPHING, SKIN, PASSAGE, MEMORY, SOFTNESS, WALL, WINDOW, CORNER INITIAL PUBLICATION TRANSFORMER 1, EXHIBITION CATALOGUE SYNOPSIS IN DESCRIBING A CONCRETE SITUATION, WE MAKE USE OF THE FUZZINESS OF INTERSTITIAL SPACES.

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